We put on our first show in March. It was really just the ensemble's favorite Friday Creation projects thrown together like a showcase of what we'd accomplished so far. I was pleased at the time with how it turned out, but like all things I look back on it (literally I watched the video) and thought--wow, we've come so far as a class since then. My pieces selected for the showing were from the creation prompts The Chase and One Place, One Event. I was incredibly proud of my ensemble for coming together and putting something up in such a limited time frame. Part of the pedagogy of the program we learned this year is to cram a lot of lessons into a short amount of time and to never stop generating material. I suppose the lesson is to do work, often, even if it's not good. Don't ever be afraid to produce work just because it might fail. That's never a good enough reason.
Border towns being created around churches before the border was established. |
The project was to visit border towns and interview people about their experience there, and then to tell that story. The show was meant to be a foil to the national conversation happening about our southern border and the misconceptions people might have based on the national dialogue that every border is the same.
This is the bridge separating Madawaska, Maine and Edumndston, Canada with a frozen river running beneath it. |
The train ride to Quebec |
Snow falling at night |
A crane we saw tearing down a dilapidated house in the middle of down town Madawaska right before an accident tipped it over into the basement. No one was injured. |
This summer was full of real life trials and tribulations. But I did ultimately have the opportunity to help create an independent study to fulfill a credit I'll need to graduate. We're allowed to take any class the university offers, but after a fascinating workshop we were able to take during the second semester there was a small group of us that knew exactly what we were interested in pursuing.
Five of us took a month this summer to take a class on Gaming Theatre. Our amazing Voice teacher actually runs her own company that creates theatrical experiences for non theatrical audiences in the form of interactive and playable games. Some of these are site specific works, others are educational in nature, and a few have been actual card or video games. She works with community partners and organizations to create these experiences to fill a need, and usually has several projects going on at once. She's a wealth of knowledge and we were dying to learn from all of her experience. We were able to do a broad reach into the background of interactive and immersive performance experiences, the history of game design, and the impact of agency in theatrical applications. We also created our own games, tested them (in small doses), and learned the road map to creating successful gaming endeavors. It was quite honestly my favorite class I've taken yet!
It's the specialty classes that have really made this last year so special for me. I was excited to attend graduate school to broaden my knowledge of the ways that theatre can successfully be done. I knew I'd learn skills I wouldn't even know about before, or maybe skills I didn't think I could do. And that's exactly what happened. My music theory course this last semester became a composition course where every single week we wrote new songs. In an ensemble program I was desperate to have complete control over a finished product and this class gave me that opportunity. I'm so proud of the new skills I learned in that class. This gaming workshop was similar and is something I'm incredibly interested in pursuing in my future going forward after this program.
This next year holds a lot of firsts for me. Cabaret, clown, commedia, buffon, and other new styles will be learned. I'll be making another mask, adapting movies and books, and trying on genres for size. We'll be given dares this year, and then dare to create our own. What I'm most excited about is that this year is more performance based. Instead of performing for our faculty, we'll have many more opportunities to perform for the community, including a New York showcase in the spring. This year I can see my future a little more clearly. Life after graduate school will sneak up on me fast, and I'm taking steps to test out what I think I'd like to do next.
First on the list? Try everything. And visit some new places to see how my art fits in. Here's to another year of ensemble training!
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